| Katrin Hochschuh and Adam Donovan: Curious Tautophone – Tensor Field Ontology 
 Katrin Hochschuh and Adam Donovan: Curious Tautophone – Tensor Field Ontology
 12 April–4 May 2024
 MMC KIBLA/KiBela
 
 You are cordially invited to the opening of the exhibition Curious Tautophone – Tensor Field Ontology by Katrin Hochschuh and Adam Donovan, which will take place on Friday, 12 April 2024, at 7 p.m. at KiBela, space for art.
 
 INVITATION (PDF)
 ABOUT THE EXHIBITION (PDF)
 
 A  field of light moving simultaneously with a beam of sound, both  emanated from one source, a shiny metal tripod robot that is spinning a  speaker around two axes. Like a swirl of sound and light the visitor is  drawn into the piece with all his senses and finds himself enveloped in a  transforming spatial sound sculpture. A moment of precious intimacy is  created and a door between the subconsciousness of the visitor and the  robotic machine is opened, both aurally and visually. The decidedly  non-anthropomorphic robot is the source of this transcendent atmosphere  and shows that the Curious Tautophone is as much an apparatus of art as  it is a tool for music and an instrument for psychology and physics.
 
 The  name Tautophone derives from projective auditory tests developed by  psychologists Skinner, Rosenzweig and Shakow that can be understood as a  form of Auditory Rorschach Inkblot where a sequence of vowels was  repeated in an attempt to trigger latent speech hidden in the listener’s  psyche. The curious aspect of the name induces a sense of the  Tautophone’s motivation to explore its surroundings and to learn. It  reflects the human capability to feel attachment to inanimate objects as  already demonstrated by psychologists Heider and Simmel in 1944 and  speculates about the human desire to give birth to new forms of life as  part of a subconscious reasoning surrounding mortality. Tensor fields  expresses the mathematical representation of the visual environment  creating a different kind of adapting and continually changing set of  inkblots of light. Using the physical phenomena of directional sound as a  medium of robotic expression, the unusual, even uncanny nature of  hearing these auditory hallucinations opens the observer’s perceptual  engine and intensifies the multitude of subliminal stimuli.
 
 Finally, Curious Tautophone – Tensor Field Ontology  deals with the basic structures that are connecting reality and  possibility, the role of the robot being to recalibrate the cognitive  tissue that binds man and machine.
 
 Biographies
 
 Katrin  Hochschuh and Adam Donovan met in 2016 through a mutual network of  artists, architects and researchers in Zürich, Switzerland.
 
 Katrin Hochschuh  is a media artist with an architectural background in digital design  and robotic fabrication. Her artwork connects the digital and the  physical realm, exploring robotic behaviours, algorithms and  interactivity, always seeing the human, his perception and social  implications of technology at the center of her work. Writing her own  software allows her to connect deeply with technology and to implement  her ideas and concepts without constraints.
 
 Adam Donovan  is a hybrid media artist working in the area of science, art and  technology. His artwork incorporates nonlinear acoustics, robotic  sculpture, game engine environments and camera tracking. Donovan  pioneered work into ultrasonics and acoustic beamforming as an artist in  residence with the Defense science and technology organization in  Australia since 2001. He explores the intangible aspects of physics to  amplify their effects creating new mediums and experiences. Specializing  in designing custom hardware and his own electronic circuits his  creativity has no bounds in creating new robotic companions.
 
 As a duo Hochschuh and Donovan  amplify their strengths of working in software and hardware, combining  matter and information in their unexpected artworks. Since first  prototypes in 2018 during their EMARE residency with Kontejner in  Zagreb, they research and develop their ongoing project Empathy Swarm  which premiered as a swarm of 50 robots at QUT Art Museum in Brisbane  in 2019. At the intersection of technical and conceptual development,  they showed different iterations as Performative Installation at WRO  Media Art Biennale 2019 and HEK’s Oslo Night 2020.
 
 As an answer to the Covid pandemic, they fostered an online version of Empathy Swarm with the title “Telerobotics for Social Interaction as a Symbiotic Reminiscence of Human-Machine Cohabitation” in a collaboration with Impakt’s online exhibition “Cyborg Futures” 2020.
 
 Their directional sound robot with real time projections Curious Tautophone – Tensor field Ontology is touring Australia as part of Experimenta Make Sense – Triennial of Media Art  since 2017. In parallel to their exhibitions, Hochschuh and Donovan  collaborate with Łukasz Szałankiewicz under the name of “Saturn 3”  combining experimental sound with sound robots and real-time projections  in performances at major European Sound art festivals.
 
 Together  Hochschuh and Donovan create sophisticated robotic mechanisms that play  with the unobtrusive uncanny systems within us. Their works and machines  invoke an otherness or timelessness that is only present in the here  and now.
 
 Artists' website:
 https://hochschuh-donovan.com/
 
 
 < Curious Tautophone – Tensor Field Ontology;  robotic sound sculpture and responsive projection, 2017; photo: Katrin  Hochschuh and Adam Donovan
 
 
 MMC KIBLA/KiBela, Ulica kneza Koclja 9, Maribor
 Opening hours: Monday to Friday from 10 a.m. to 6 p.m., Saturday from 10 a.m. to 2 p.m.
 Photo: Janez Klenovšek 
 Photo: Janez Klenovšek 
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